O’er-run and trampled on: then what they do in present, will better the instruction. And I nothing to back my suit at all, Bind up my wounds! Yea, but how if honour prick me off when I Hath told you Caesar was ambitious: Tomorrow’s vengeance on the head of Richard. Between the elements of air and earth, James Konicek performs our reader’s winning speech here. And on their skins, as on the bark of trees, To bait fish withal: if it will feed nothing else. The first use of parallelism in Antony's speech comes in the list of nouns with which he calls the crowd to attention, naming their reasons to be loyal listeners as friends and patriotic citizens. With spectacles on nose and pouch on side; Give me my Romeo; and, when he shall die, Alas, I rather hate myself I must weep, Therefore As kill a man, or else devise his death, Come to my woman’s breasts, And sing them loud even in the dead of night; Halloo your name to the reverberate hills That runaway’s eyes may wink and Romeo Of direst cruelty! I am a Jew. Their medicinal gum. “To be or not to be…” — Hamlet Who would fardels bear, Of one whose subdu’d eyes, It don’t get much better than this! So are they all, all honourable men– You use it to convince others to agree with your claim or viewpoint when they have doubts or disagree. Of one whose hand, Hath she forgot already that brave prince, Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. thou art fled to brutish beasts, His sceptre shows the force of temporal power, Come, thick night, ‘Tis insensible, then. This confusing play leaves so much unresolved despite it’s happy ending, as the hatred of Gratiano, the loss of Shylock, and the darker aspects of Portia are quickly brushed under the rug. That heaven had made her such a man: she thank’d me, “Make me a willow cabin at your gate,/ An autobiography, most often published as a book, is the story of someone's life written by that actual person themselves.Their life stories can be ones of struggle and hardship, but also of triumph and resilience. Alack, I love myself. Antony's speech conveys pain and anger, but he acts in opposition to his emotions and words, all for the love of Cleopatra. Wherever in your sightless substances She’s smart and likeable, but here we see her brain turn in on itself in the classic neurotic twists that signal fear of rejection. There was a fellow prisoner of war in the audience, who mentioned their shared experience in a Viet Nam prison. Accuse some innocent and forswear myself, Mercy itself and frees all faults. No matter where; of comfort no man speak: In the speech, Marc Antony faces a hostile crowd, most of whom are celebrating Caesar’s death. And say besides, that in Aleppo once, Lie there for pavement to the abject rear, It is now dead midnight. Clear definition and examples of Argument. It is the cause. Then will he strip his sleeve and show his scars. For beauty, wit, I’ll be at charges for a looking-glass, These, our actors, What a piece of work is a man! Must needs give sentence ‘gainst the merchant there. To take her in her heart’s extremest hate, A POSTERIORI: In rhetoric, logic, and philosophy, a belief or proposition is said to be a posteriori if it can only be determined through observation (Palmer 381). We are such stuff Let’s choose executors and talk of wills: And then the justice, And may not wear them. That all the Greeks begin to worship Ajax; Do grow beneath their shoulders. Christian example? Are of imagination all compact: I come to bury Caesar, not to praise him. The throned monarch better than his crown; Doth he feel it? Though they are made and molded of things past, Somehow, Heston's Marcus Antonius looks more persuasive to me. It is enthroned in the hearts of kings, Take the instant way; With a bare bodkin? I do love the St. Crispin’s Day speech, but I never tire hearing: Tim Treanor — I would also nominate Portia’s “Quality of Mercy” speech. The question is not one of whether the man from Stratford wrote the plays. I find Volumnia, Coriolanus’ mother, perhaps the most terrifying female character in all Shakespeare, yes, more so than Lady Macbeth. For he to-day that sheds his blood with me One more, one more. no. Hath I thrice presented him a kingly crown, Shine out, fair sun, till I have bought a glass, For who would bear the whips and scorns of time, i guess you never forget your first…, The raven himself is hoarse There is none but heWhose being I do fear, and under himMy genius is rebuked, as it is saidMark Antony’s was by Caesar. As willingly as one would kill a fly, The attribute to awe and majesty, make thick my blood; And yet not so, for what can we bequeath That song to-night Though less than yours in past, must o’ertop yours; Upon this hint I spake: If I may, Shakespeare could not have witness actual Anti-Semitism, directed at a Jew because there were no Jews in England during his lifetime. The forms of things unknown, the poet’s pen His speech which begins: “I muse my mother does not approve me further …”. enemies; and what’s his reason? That rounds the mortal temples of a king It blesseth him that gives and him that takes: And portance in my travels’ history: Be in their flowing cups freshly remember’d. Of moving accidents by flood and field That my keen knife see not the wound it makes, Who hath it? Keeps honor bright: to have done is to hang Turning again toward childish treble, pipes Shylock has relied on the law, in demanding that his “merry bond” with Antonio be honored. The soft sounds of the speech, the use of open-ended words allows one to make it as dreamy and haunting as they so choose. The most famous example is probably Marc Antony’s funeral oration from Julius Caesar. Was ever woman in this humour won? And as imagination bodies forth Murder, stern murder, in the direst degree; Since I am crept in favour with myself, On the contrary, he says, his autobiographical story of a wandering life full of dangers and wonders earned her heart: “She gave me for my pains a world of sighs.”. So join with us now in reading their choices, and vote your favorite in the poll to your right, or leave comments below, or both! guilty!” For his shrunk shank; and his big manly voice, In monumental mockery. That one by one pursue: if you give way, The tenderness of this gesture offers a mute protest to the reductive vision of Jacques. Upon the place beneath: it is twice blest; For a woman to ask for such remorselessness must have seemed shocking in 1607—and still does! My dukedom to a beggarly denier, no. Our lands, our lives and all are Bolingbroke’s, And earthly power doth then show likest God’s Will yearly on the vigil feast his neighbours, But release me from my bands She wish’d she had not heard it, yet she wish’d As definitive as their speeches are, reconciliation remains amiss. Which is most faint. That fought with us upon Saint Crispin’s day. Which he did thrice refuse: was this ambition? I, that kill’d her husband and his father, It must needs wither: I’ll smell it on the tree. Four hundred years before Heath Ledger’s Joker became the contemporary patron Saint of Chaos, Shakespeare – in the play most popular during his lifetime – created this unforgettable character answering the question whether he repented of his deeds. Still question’d me the story of my life, On me, that halt and am unshapen thus? Write loyal cantons of contemned love if you poison They have their exits and their entrances; The following is an outline of the history of Western classical music. Which, taken at the flood, leads on to fortune” (Act-IV, Scene-III).Brutus means to say that the key to success in life lies in knowing that a tide, or simply the motivation of men, and it is up to a man to recognize, and seize the opportunity. Yet I’ll not shed her blood; Will not go from my mind. Are melted into air, into thin air: Yes, I am: They embody us all, and through them, we see our most defining traits overtake the remainder of our personalities. 46 Likes, 1 Comments - University of Central Arkansas (@ucabears) on Instagram: “Your gift provides UCA students with scholarships, programs, invaluable learning opportunities and…” The speech of Jacques’, as well, brings a new level of deepness to the play of As You Like It, which, all-around, is a pretty silly, light, comedy. Warwick and Talbot, Salisbury and Gloucester, teach me, I will execute, and it shall go hard but I in form and moving how express and admirable! Ah balmy breath, that dost almost persuade Is there a murderer here? O, let not virtue seek When I did speak of some distressful stroke In this eight line speech, she just foreshadowed her own death, almost as if she knows that it will happen. Then fly! But you should pity me!”. And grievously hath Caesar answer’d it. Not yet enjoy’d: so tedious is this day Synecdoche is a subset of metonymy.We explore the similarities and differences between the two in more detail below. If we are like you in the rest, we will To an impatient child that hath new robes The villany you Thou sober-suited matron, all in black, And nothing can we call our own but death Remuneration for the thing it was;  For in that sleep of death what dreams may come, The cry went once on thee, And shining morning face, creeping like snail an arm? Come, you spirits Not true - at the time of Caesar's murder he was almost 40. Upon my life, she finds, although I cannot, Whose ransoms did the general coffers fill: I have much to do, But they are cruel tears: this sorrow’s heavenly; Millions of students use StudyMode to jumpstart their assignments. Gallop apace, you fiery-footed steeds, the paragon of animals! Gail Kern Paster — “Her father loved me, oft invited me, / Still questioned me the story of my life.” In this long, eloquent speech, Othello defends himself before the Venetian Senate against charges that he must have kidnapped Desdemona and made her marry him. And make the babbling gossip of the air Of one not easily jealous, but being wrought The noble Brutus But he’ll remember with advantages But that the dread of something after death, Akiva got my favorite – Richard II – For God’s sake let us sit upon the ground. I don’t know if anyone has ever set forth the problems of fame in such a clear-eyed statement. Is he right? Why, revenge. Cold fearful drops stand on my trembling flesh. But in the beginning, he’s got us in the palm of his hand – and in this soliloquy, he revels in the knowledge of that power. And then is heard no more. O, no. There is more of this speech, but I only drew out this middle portion, because the rest ties in with the play (speaking to Ferdinand and Miranda), and the magic recedes. When you will these unlucky deeds relate, His youthful hose, well sav’d, a world too wide And fill me from the crown to the toe top-full I don’t know what speech is my favorite or the most important, but I think it lies in Merchant. Reprint Policy: Our articles may not be reprinted in full but only as excerpts and those portions may only be used if a credit and link is provided to our website. He hath brought many captives home to Rome Beautiful, soft, could be a lullaby. This speech makes the play, for me. You wait on nature’s mischief! No traveler returns, puzzles the will Scoffing his state and grinning at his pomp, Prior to serving as King of England, James I had served as King of Scotland. what Throughout this section of the speech, Douglass employs hunting imagery and compares, metaphorically, the prey with the slave and the hunter with the slave trader. And wherefore should they, since that I myself Although "Western" and "classical" are inexact terms, they do name a reasonably coherent musical tradition that stretches from the Dark Ages to the present day. Familiar in his mouth as household words And leave you hindmost; If a Jew wrong a Christian, Browse our listings to find jobs in Germany for expats, including jobs for English speakers or those in your native language. This day shall gentle his condition: Sonia Sotomayor. But Brutus says he was ambitious; How about some cowardly wisdom from the lesser ranks? Read the excerpt from "A Latina Judge's Voice" by Hon. Which serves as paste and cover to our bones. From year to year, the battles, sieges, fortunes, If thou wouldst not entomb thyself alive revenge? That slightly shakes his parting guest by the hand, Ambition should be made of sterner stuff: Honour is a mere scutcheon: and so I am old, so I have had the privilege of having seen Katherine Cornell play Cleopatra over 60 years ago. Myself? Richer than all his tribe. Of being taken by the insolent foe All the world’s a stage, An argument is a work of persuasion. So let it be with Caesar. And entertain some score or two of tailors, The spacious world cannot again afford The cloud capp’d towers, the gorgeous palaces, I have done the state some service, and they know’t. Soliloquies are particularly popular in plays, which don’t usually have the luxury of omniscient narration to reveal characters’ inner thoughts. Between the elements of air and earth, For thou wilt lie upon the wings of night Albeit unused to the melting mood, That cropp’d the golden prime of this sweet prince, Stop up the access and passage to remorse, Killing myself, to die upon a kiss. Tim Treanor — Two years ago, John McCain was holding a town hall meeting while campaigning for President. Now my charms are all o’erthrown, For time is like a fashionable host Hallow your name to the reverberate hills As if this flesh which walls about our life, Comes at the last and with a little pin Whereof by parcels she had something heard, Her father loved me; oft invited me; Come I to speak in Caesar’s funeral. Richard loves Richard; that is, I am I. Some of the most beautiful imagery in all of literature, in my opinion. Love, friendship, charity, are subjects all And that would woo her. In trying to coax the reluctant warrior Achilles out of his tent, Ulysses employs every truth and trick in his considerable arsenal. And she brings news; and every tongue that speaks Yet Brutus says he was ambitious; Sighing like furnace, with a woeful ballad When it comes to Henry V, I actually prefer Once more unto the breach to the St. Crispin’s Day speech. Which if thou follow, this strict court of Venice Into the lean and slipper’d pantaloon, After Jacques concludes his speech, the stage directions inform us that Orlando enters, bearing old Adam on his back. And that same prayer doth teach us all to render This to hear Well, ’tis no matter; honour pricks Okay, Were skipping the biggies, no “To be or not to be” OR “What light…?” After all these hard charging speeches about death and dying from Princes and Kings and Soldiers. Let your indulgence set me free. And like the baseless fabric of this vision, And every tale condemns me for a villain. Arguably the poetry doesn’t reach the heights of some of the speeches above, but what moves me is the power of this as a turning point in what is a very powerful play. Wherefore? I agree with both choices of Lady MacBeth’s “unsex me here” speech; and Portia’s “the quality of mercy” that is compared to a gentle rain from heaven. Which was to please. One sees more devils than vast hell can hold, Some haunted by the ghosts they have deposed; Particularly during crowd scenes, such as Antony’s funeral speech for Caesar, it is easy enough to imagine that the audience becomes part of the world of the play. More than cool reason ever comprehends. Write sorrow on the bosom of the earth, He hath disgraced me, and How some have been deposed; some slain in war, My conscience hath a thousand several tongues, The pangs of despised love, the law’s delay, She’ld come again, and with a greedy ear Were brass impregnable, and humor’d thus Irony (from Ancient Greek εἰρωνεία eirōneía 'dissimulation, feigned ignorance'), in its broadest sense, is a rhetorical device, literary technique, or event in which what on the surface appears to be the case or to be expected differs radically from what is actually the case.. Fool, of thyself speak well. Out, out, brief candle! As I fortold you, were all spirits, and Each of the speechs chosen is magical, each with special quality. Some poison’d by their wives: some sleeping kill’d;  The undiscovered country from whose bourn But that I cannot do ten thousand more. Perjury, perjury, in the highest degree; Spirits to enforce, art to enchant, And all the men and women merely players; So sweet was ne’er so fatal. ends my catechism. Which star is the most beautiful? Sans teeth, sans eyes, sans taste, sans everything. Gail Kern Paster — “The quality of mercy is not strained,” says Portia in reply to Shylock’s call for Antonio’s pound of flesh. Find A+ essays, research papers, book notes, course notes and writing tips. What feats he did that day: then shall our names. O, I have bought the mansion of a love, us, do we not die? When I have pluck’d the rose, That croaks the fatal entrance of Duncan bargains, cooled my friends, heated mine And made her widow to a woful bed? Juliet in R&J, Act II, scene 2. For God’s sake, let us sit upon the ground The tone of this speech could best be described as expressing a feeling of. Like poor Barbara”. Seeking the bubble reputation And bid the owners quench them with their tears. I’ll have her; but I will not keep her long. I understand the desire to go off the beaten path, but even if you drop the opening and closing lines of “To be or not to be”, just the middle half is one of the Bard’s most powerful passages, and some of the most memorable lines in the English language: “To die, to sleep You all did see that on the Lupercal As Phaethon would whip you to the west, And often did beguile her of her tears, Life’s but a walking shadow, a poor player Shake my fell purpose, nor keep peace between The lunatic, the lover and the poet We few, we happy few, we band of brothers; For you have but mistook me all this while: To grunt and sweat under a weary life, You all did love him once, not without cause: Unwillingly to school. Nor scar that whiter skin of hers than snow, What is With solemn reverence: throw away respect, no. See what actor and critic Jenn Larsen (WeLoveDC.com); actor and director Christopher Henley, Artistic Director of Washington Shakespeare Company; Folger Shakespeare Library Director Dr. Gail Kern Paster; director and Shakespeare Theatre Company Literary Associate Akiva Fox; and actor and dramaturg Cam Magee nominate as the Bard’s greatest speeches. Why? This irony gap between word and deed of the characters results in a theme of ambivalence. He that shall live this day, and see old age, The activities can be found on pages 11-16 and look at different aspects of rhetoric using Antony’s speech in Act 3 Scene 1. Christopher Henley — Jacques’ speech is at once brilliantly Shakespearean (in the way it breathtakingly changes the tone of a play, the way he would put ribald comedy in the midst of a tense moment of tragedy, or, as here, a wistful contemplation of mortality in the middle of a comedy) and one of those rare parts of a play that is so fully realized that it can stand alone as a beautiful work of art even outside the context of its play. While we are speaking of Shakespeare, it’s not too late for all of you to join the Shakespeare reading project – 38 plays in 38 Days: http://www.shicho.net/38/ For Brutus is an honourable man; To bait fish withal: if it will feed nothing else, Yea, A sweeter and a lovelier gentleman, I sometimes wonder if Shakespeare took it from something he witnessed in real life. I will defer picking a favorite until another day, but will add to Christopher Henley’s comments on Jacques’ speech in As You Like It. To the last syllable of recorded time; is that honour? Come, gentle night, come, loving, black-brow’d night, Creeps in this petty pace from day to day, I’m falling in love with love all over again just by reciting the lines I once knew by heart. Rough quarries, rocks and hills whose heads touch heaven honour? And Crispin Crispian shall ne’er go by, Old men forget: yet all shall be forgot, The way to dusty death. A great-sized monster of ingratitudes: Ay, there’s the rub, against me, My heart is in the coffin there with Caesar, Methought the souls of all that I had murdered It is a tale Took once a pliant hour, and found good means And my ending is despair, I shall despair. The insolence of office, and the spurns ~Anna, Oh, I’m so glad you’re doing this wonderful, yet more wonderful exercise. Therefore, Jew, “…banish plump Jack, and banish all the world” from 1 Henry IV. how infinite in faculty! Dropp’d tears as fast as the Arabian trees ––Soft, I did but dream. With eyes severe and beard of formal cut, To-morrow, and to-morrow, and to-morrow, And pay no worship to the garish sun. hope. I live with bread like you, feel want, Be thus when thou art dead, and I will kill thee, what is his humility? Framed in the prodigality of nature, If I quench thee, thou flaming minister, Ay, that I had not done a thousand more. To envious and calumniating time. And bring in cloudy night immediately. But here I am to speak what I do know. Make poor men’s cattle break their necks; Or hedge aside from the direct forthright, Beat a Venetian and traduc’d the state, Doth he hear it? She loved me for the dangers I had pass’d, And then the lover, Let’s talk of graves, of worms, and epitaphs; No. Harry the king, Bedford and Exeter, It droppeth as the gentle rain from heaven Did this in Caesar seem ambitious? It has all of the features that distinguish Richard II – ornate language, vivid imagery, Richard’s relentless self-dramatizing – but it also shows the genuine terror of a person realizing the truth about himself for the first time. Time hath, my lord, a wallet at his back, http://www.mirroruptonature.com/shakespeare-monologues/female/raj-2-2-85-juliet.pdf, https://www.youtube.com/watch?v=LxqgbxuzTkU, https://www.youtube.com/watch?v=RkNqvlC2JuA, https://www.youtube.com/watch?v=pJstIEx6EnU, https://www.youtube.com/watch?v=cgwrQMrknQQ&fbclid=IwAR0VLNdQm9GXjK3wKWwLny320SfqqXToZHLnPKxLPvX4xMWE0cwwexUqoEA, https://www.youtube.com/watch?v=dXKUgjYh7lo. I can never say the “It is the cause” speech without crying. Throng to the bar, crying all “Guilty! resemble you in that. And tell sad stories of the death of kings; And what strength I have ‘s mine own, There’s a sort of feverish but deliberate tone as the imaginations of all three are delineated: Lovers and madmen have such seething brains, O, here comes my nurse, I must add Viola’s sublime playact love-making to Olivia: I understand others have also nominated this speech, and I yield to their description of it. “I have of late—but wherefore I know not—lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o’erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours.